THE DISINFO DIALOGUE

Serving as both PTZ camera operator and production lead, I managed a four-camera setup (three Sony FR7 PTZs and two FX9 on automated Dana Dolly) in a compact blackout studio. I crafted deliberate framing solutions for clean solo and two-shots while coordinating a five-person crew including lighting designer/DP, audio engineer, and makeup artist. As primary client liaison, I balanced technical precision with production management, programming strategic dolly movements for key conversation moments. The elegant design prioritized visual simplicity while maintaining engagement throughout substantive discussions on disinformation's impact on marginalized communities. My dual role resulted in polished content that successfully translated complex subject matter into visually compelling television.